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Catalogue Blog

Life Stories

Last night, at the Kennedy Center Terrace Theater, The Theatre Lab School of the Dramatic Arts presented a unique new work, My Soul Look Back and Wonder: Life Stories from Women in Recovery — a production of its acclaimed Life Stories program. After the performance, R. Gil Kerlikowske, director of the White House Office of National Drug Control Policy, took part in a panel discussion about the play and the critical issues of substance abuse and homelessness.

According to the Theatre Lab, “The program began in early February on-site at the N Street Village facility, a recovery center for homeless and low-income women. Theatre Lab instructor Thomas Workman led a group of ten women in recovery for substance abuse through acting, storytelling, and drama therapy exercises. Participants shared details of their personal lives, including family issues, struggles with drugs, and homelessness. The stories were then crafted into theatre piece by Helen Hayes Award-winning playwright Jennifer L. Nelson. The women — none of whom are professionally trained actors — performed the play themselves under the direction of Theatre Lab founder and co-executive director Deb Gottesman.”

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In The News …

The cost of a nation of incarceration (CBS News): “Nationwide, the numbers are staggering: Nearly 2.4 million people behind bars, even though over the last 20 years the crime rate has actually dropped by more than 40%.” Michael Jacobson, director of the Vera Institute of Justice, points out that the US has “about 5% of the world’s population, but we have 25% of the world’s prisoners.” A report from Vera, “The Price of Prisons, finds that the cost of incarcerating one inmate runs up to $60,000 per year in some states. Says Walter McNeil, president of the International Association of Chiefs of Police, “… the vast majority of the people in prison are going to return to prison unless we do something different.”

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In The News … (more!)

Affordable housing means financial incentives, experts tell MontCo (Washington Examiner): “Yet 44 percent of renters in the county spend more than 30 percent of their income on housing, said Michael Bodaken, president of the National Housing Trust. A minimum-wage earner would need to work four full-time jobs to afford a “modest” two-bedroom apartment in the county. The most realistic solution is to try to preserve some of the existing housing where rents are in danger of climbing, because working with existing structures costs one-third as much as building new housing, Bodaken said.” According to Roger Lewis, professor emeritus at the University of Maryland, “it is going to take some public-sector financing, which then gets into the political briar patch.” (We also touched upon the high housing costs in Arlington in yesterday’s In The News)

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In The News …

Investing in Education, Workforce Development and the Safety Net Will Close the Income Gap (Huffington Post): “In other words, while our region’s economy has led to economic growth and prosperity for many on the middle and higher rungs of the ladder, residents on the bottom of the income scale largely are being left behind,” writes Terri Lee Freeman, president of The Community Foundation for the National Capital Region. “While philanthropy alone cannot address income inequality, it can make a difference. We believe economic security can be achieved by investing in three key areas: education, workforce development and the safety net.” Do you agree that these are the three key areas? What would you add?

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The Arts Work

Last week, we linked to this Chronicle of Philanthropy piece, which reported that the nonprofit sector “added jobs at an average annual rate of more than 2 percent from 2000 to 2010, while for-profit jobs were cut by 0.6 percent each year on average.” Drawn from a study by the Center for Civil Society Studies at Johns Hopkins University, these findings invite the question: if nonprofit organizations are indeed the third largest private employer in the country, should more job training programs prepare employees to work at them? More broadly, why do nature and arts and human services nonprofits not play a larger role in the national employment discussion?

In “Putting Americans to Work,” published on the Huffington Post yesterday, Kennedy Center president Michael Kaiser tackles a similar topic:

But at a time when unemployment is the key political issue and when virtually everyone in politics is struggling to find ways to reduce the ranks of the unemployed, why doesn’t some smart politician realize that the arts are one way to help solve this problem?

Who better to train young people to think creatively, to exercise their own unique ways of thinking than we in the arts? The success of arts organizations and artists depends on the ability of people to be creative and make something new.
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Early Stages

From “Why Children’s Theater Matters” by Danielle Wood of Education.com:

Want to boost literacy? Teach your child to imagine the unimaginable? Cultivate curiosity? Get thee to the theater, and bring your kids.

The children’s theater movement is led by Europe, but the US is not far behind. And we’re not just talking about the bustling theater town of New York. The third largest children’s theater in the world is tucked away in Minneapolis, Minnesota. Other mid-sized cities from Dallas, to Tempe, to Nashville, are also cooking up kids? fare in full-time children venues. […]
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Wordless Ceremony

“And what is so strange about that memory is that everybody seems to be floating on those sweet sounds, moving rhythmically, languorously, in complete isolation; responding more to the mood of the music than to its beat. When I remember it, I think of it as dancing. Dancing with eyes half closed because to open them would break the spell. Dancing as if language has surrendered to movement — as if this ritual, this wordless ceremony, was now the way to speak, to whisper private and sacred things, to be in touch with some otherness. Dancing as if the very heart of life and all its hopes might be found in those assuaging notes and those hushed rhythms and in those silent and hypnotic movements. Dancing as if language no longer existed because words were no longer necessary.”

Dancing at Lughnasa by Irish playwright Brian Friel (born today in 1929)

And in this spirit, get to know our dance nonprofits today.

In The News …

Little known about DC’s young homeless, except that numbers are growing (Washington Post): “Though relatively little else is known about them, the number of homeless youths in the District has jumped, according to numbers released Tuesday by the National Center of Family Homelessness […] In 2010, 4,309 children were found to be without stable housing in a city where 27% of households pay more than 50% of their income for rent.” According to the State Report Card on Child Homelessness, “Virginia and Maryland ranked 18th and 22nd for risk for homelessness;” and the DC Alliance of Youth Advocates finds that a growing number of homeless individuals are also parents under the age of 24.

Foundation Funding for Hispanics/Latinos (Philanthropy News Digest: PhilanTopic): “Our colleagues here in the Research Department have just released a new report that examines foundation giving to Hispanics in the U.S. and for Latin America over the last decade […] Foundation Funding for Hispanics/Latinos in the United States and for Latin America found that over the past decade, U.S. foundation giving intended to benefit Latinos remained steady at about 1% of total foundation giving, even as the Latino population in the US grew significantly.” The report, which gave particular focus to the 2007-2009 period, also found that the greater Los Angeles area received the largest share of both grant dollars (17%) and grants (13%) of any US metropolitan area in that time.

Theaters’ Fiscal Outlook Improves Slightly (Chronicle of Philanthropy): “The latest round of an annual survey of nonprofit theaters’ finances offers some optimism […] Theater Facts 2010, compiled by grant-making and advocacy outfit the Theater Communications Group, found total assets, including box office, gifts, and endowment earnings, exceeded expenses last year for the 113 organizations that have participated in the study for each of the last five years.” TCG head Teresa Eyring points out that rising attendance, at readings and workshops as well as full productions, also “bodes well for the health of theater overall.”